HELLO DOLLY - Free Jazz Leadsheet

hello dolly was composed by Jerry Herman in 1964 for the Broadway musical of the same name. Its catchy, upbeat melody and clear form quickly made it a favorite for jazz interpretations.

The first recording by Louis Armstrong in New York City, 1964, brought a swinging, joyful vocal performance that propelled the song to the top of the charts. Structurally, it follows a 32-bar AABA form, with room for call-and-response and instrumental embellishment.

Later jazz renditions highlighted its lively melody, energetic phrasing, and suitability for both small combos and big-band arrangements. Lyrically, it celebrates charm, wit, and playfulness.